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How to Draw the Shoulder Bones 肩の骨の描き方 https //www.youtube.com/watch?v=NHuoMBUnpnM http //www.proko.com/how-to-draw-the-shoulder-bones/ [00 00 - 00 25] Hello everybody! In this lesson we re going to draw the clavicle and scapula. こんにちはみなさん。 このレッスンでは、 鎖骨と肩甲骨を描いてみたいと思います。 In the previous lesson we went over all the anatomy of the clavicle and scapula, so if you haven t watched that yet, it might be a good idea. 前回のレッスンでは、 我々は、鎖骨と肩甲骨の解剖学を勉強しました。 前回のビデオを見ていない人は見ておきましょう。 [00 26 - 00 35] Let s start with this front view. この前から見た視点から始めましょう。 As always, I ll start with the biggest shape. いつものように、 大まかな形から始めます。 The basic shape of the rib cage. 胸郭の基本的な形です。 [00 36 - 00 52] Simple oval for the top plane, center line, bottom of sternum, thoracic arch. てっぺんの面、中心線、 胸骨の底、肋骨弓が乗っている単純な卵型です。 Following the bottom plane to the back, around the spine and to the other side in the front. 底の面を背後まで追いながら、 脊椎を周り、もう一方の前面に至ります。 [00 54 - 00 56] Width of the sternum. 胸骨の幅を描きいれます。 [00 57 - 00 59] Simple cylinder for the neck. 首を表す単純な円筒形です。 [01 00 - 01 27] For this drawing, instead of breaking up the clavicles into 3 angles like I usually do (show clavicles and 3 angles), I’m going to combine the first 2 angles into a curved cylinder. このドローイングに於いては、 代わりに、分割する、鎖骨を、三つの角に いつもやっていたように、(三つの角に単純化された鎖骨を見てください。) 私は、連結します、最初の二つの角を、曲がった円筒形に。 このドローイングに於いては、 いつもやっていたように、(三つの辺に単純化された鎖骨を見てください。) 鎖骨を三つの辺に分割する代わりに、 最初の二つの辺を、曲がった円筒形として考えます。 A loop around neck. 首の周りの輪っかです。 This will help me get the foreshortening right. こうすることで短縮遠近法がやりやすくなります。 His right clavicle points back away from us as it wraps around the neck. 彼の右の鎖骨は、首の周りを周りながら、 我々から遠ざかりながら後ろへ向かっています。 Yet, we see the whole length of his left clavicle. 一方で、左の鎖骨は、その全体を見ることができます。 [01 29 - 01 49] Usually in a neutral pose, when we re eye level with the shoulders, the clavicles won t have that Cupid s bow shape. 通常、中立姿勢に於いて、 アイレベルを肩に置いた場合、 鎖骨は、キューピッドの弓の形には見えません。 They ll just be a straight line. 真っ直ぐな線として見えます。 However in this pose, he s elevating his shoulders. しかし、このポーズでは、 彼は肩を上げています。 So the clavicles twist up from the pivot point at the pit of the neck. ですので、鎖骨は、 首のくぼみにある回転の軸から ひねりこんでいます。 And so we re seeing that Cupid s bow shape in this one. このことにより、ここではキューピッドの弓状の形状を見ることができます。 [01 51 - 01 55] The distance between the clavicles is about the size of an eyeball. この鎖骨の間の距離は、 眼球の大きさぐらいです。 [01 57 - 02 00] Angle between acromions 肩峰の間を結ぶ線の角度です。 [02 01 - 02 05] Angle of outer third section of the clavicle 鎖骨の一番外側の三番目の部分の角度です。 [02 06 - 02 08] And complete that cylinder そして、この円筒形を仕上げます。 [02 10 - 02 23] Cylinder of outer third, and of course you don t have to simplify them into cylinders. 外側三番目の円筒形です。 そしてもちろん、外側三番目を円筒形にする必要はありません。 You can be more specific with the planes and make them into boxes. 平面や箱型に特徴づけることも可能です。 Put a line in there to show the top plane and front plane. 前面とてっぺんの面が明確になるように線を引きます。 [02 26 - 02 31] Same thing in the other side. もう一方の鎖骨も同様に描きます。 Start with a cylinder, then make it into a box. 円筒形からはじめ、 外側は箱型にします。 [02 34 - 02 37] A little end cap for the clavicle. 鎖骨の終端の蓋を描きます。 [02 38 - 02 41] Flat box for the acromion process 肩峰突起を表す平たい箱です。 [02 43 - 03 04] Now, I m gonna find the scapula behind the rib cage, but first it will help to find the center line in the back. 今、 私は、胸郭の背後の肩甲骨を見つけようとしています。 ですが、最初は、背中の中心線を見つけるのが助けになるでしょう。 The center of the top plane in the back is here. てっぺんの平面中心の、背中側は、ここです。 The center of the bottom plane is here. 底の面の中心はここです。 Just connect them with a curve! 二つの中心をただつなげるだけです。 So now this center line will help me place the scapulas because I can judge the distance of the medial border from the center line. さて、この中心線が、 肩甲骨の位置を定めるのに役立ちます。 なぜなら、 中心線からの内側縁の距離を見定めることができるからです。 [03 05 - 03 26] The scapula would be right about there. 肩甲骨はこの辺です。 Half the height of the rib cage. 胸郭の半分の高さです。 And half of that distance away from the spine. そして、その肩甲骨の高さの半分の距離だけ、 脊椎から離れた位置に内側縁があります。 Remember, the distance between the scapulas is about the same as the height of the scapula. 思い出してください。 肩甲骨同士の距離は、 だいたい肩甲骨の高さと同じです。 So the distance to the spine will be half the height of the scapula. ですので、肩甲骨から脊椎への距離は、肩甲骨の高さの半分になるのです。 (Showing a back view from anatomy episode) [03 26 - 03 34] Another flat box for the acromion on the other side. もう一方の肩峰を平坦な箱として描きます。 [03 34 - 03 55] Let s not forget about the glenoid cavity. 関節窩を忘れないようにしましょう。 On this side it points away from us. こっちの側では、関節窩は我々の方を向いていません。 So we ll just see the edge of it. ですので、関節窩の縁を見ていることになります。 On this side it points right at us. こっちの側では、関節窩は我々の方を向いています。 So I ll draw an ellipse. ですので、関節窩を表す楕円を描きます。 Scapulae don t face the back. 肩甲骨は、後ろへまっすぐには向いていません。 They angle toward side a bit as they wrap around the rib cage. 少々側面へ傾きながら、胸郭を包み込む形になっています。 Usually foreshortening will be different in each. 通常、短縮遠近の掛かり具合はお互いで異なります。 [03 56 - 03 58] And the scapula on the other side. もう一方の肩甲骨です。 DRAWING 2 [04 00 - 04 31] Ok let s do one more, this time from the back. はい、もう一つやって見ましょう。 今回は背中側からです。 I thought this was a really good one to show the muscles of the back. 私は、この画像は背中の筋肉を見せる大変良い例だと思います。 It also has some movement as she s retracting her right shoulder and protraction her left. また彼女は、右肩を後退させ、左肩を前突させる運動をいくらか行っています。 So all the muscles will either stretch or compress to follow the scapulas. ですので、すべての筋肉は肩甲骨に従って伸びたり縮んだりしています。 I ll start with the bones and then at the end I ll actually show you guys all the muscles of the upper back since finding the scapulas depends a lot on your understanding of these muscles. 私は骨から始めますが、 その後、背中上部のすべての筋肉をお見せします。 なぜなら、 肩甲骨を見つけることは、 これらの筋肉を理解していることが欠かせないからです。 [04 33 - 04 36] Again I ll start with the basic shape of the rib cage. 再び、胸郭の基本的な形から始めます。 [04 37 - 04 49] Center line of the spine. 脊椎の中心線です。 And extend that line to the lower back and neck. その線を、背中下部と首にまで延長します。 It s curving outward at the thoracic portion and inward at the lumbar and cervical. その線は、胸椎部分では外側へカーブし、 頸椎と腰椎部分では内側へカーブしています。 [04 51 - 04 53] Find the shape of the 12th ribs 第12肋骨の形を見つけ出します。 [04 56 - 05 04] Angle between the acromion processes. 肩峰突起を結ぶ線の角度です。 Look for the flat plane at acromion right there between the trapezius and deltoid. 僧帽筋と三角筋の間の、 肩峰にある平らな面を探します。 [05 06 - 05 19] From there, find the angle of the spine of the scapulas. ここから、 肩甲棘の角度を見つけ出します。 Notice how much closer the right scapula is to the spine. 右肩甲骨がどのぐらい脊椎に近いのか気づきましょう。 She s pulling her right shoulder backward and pushing her left shoulder forward. 彼女は、 右肩を後ろへ引っ張り、 左肩を前へ押し出しています。 [05 20 - 05 26] Angle for the medial border. 内側縁の角度です。 And finish off the triangular shape of this scapula. そして、この肩甲骨の三角形の形を終えます。 [05 28 - 05 38] Find an angle to the other side. もう一方の肩甲骨への角度を見つけます。 It s going to be parallel to the angle of the shoulders I found earlier since I want to keep the height of the scapulas the same. その角度は、私が最初の方で見つけた、 肩の角度と平行になると思われます。 このようにして、肩甲骨の高さを同一に保っていきます。 [05 40 - 05 42] Indication for the 7th cervical 第七頸椎の兆候です。 [05 44 - 06 09] I want to get a quick indication of the humerus, that s the arm bone. 私は、上腕骨の存在を軽く示しておこうと思います。 上腕骨は腕の骨です。 A lot of back muscles insert at the humerus. 沢山の背中の筋肉が、上腕骨で停止しています。 So, I ve found all the bony landmarks. ですので、 私は骨の目印を見つけておきました。 Center line of the spine, 7th cervical, acromion process, spine of scapula, and the medial border of the scapula. 脊椎の中心線、 第七頸椎、 肩峰突起、 肩甲棘、 内側縁。 Now drawing the muscles will just be about knowing where the muscles attach along these bony landmarks. さて、 筋肉を描くことは、 これらの骨の目印に沿って、 筋肉がどこにくっついているかを知るということです。 [06 11 - 06 24] Let s find the basic shape of the torso to keep the muscles contained. 筋肉を含んだトルソの基本的な形を探っていきましょう。 Sometimes it’s hard to keep the proportions accurate if you’re drawing one muscle at a time, so it’s good to figure out the large shape first. 時々、 もし、あなたが、一つの筋肉を一回で描こうとしているなら 比率を正確に保つことは難しいです。 ですので、最初に大まかな形を導き出すのが良いでしょう。 [06 27 - 06 36] Let’s start with the trapezius. 僧帽筋から始めましょう。 From the acromion, extend it up to the base of the skull. 肩峰から、 頭蓋骨の底面にまで延長しています。 And down to the other side. つぎに、もう一方へ下がっていきます。 [06 36 - 06 53] The trapezius has 3 sections. 僧帽筋は三つの部分を持っています。 We’ll go over it in more detail in a future lesson, but basically the first section drops from the base of the skull to the acromion. 我々は、のちのレッスンでそのことについてより詳細に学びますが、 基本的に、最初の部分は、 頭蓋骨の底面から肩峰に向かって 下って行きます。 It flows above the 7th cervical. 僧帽筋は、第七頸椎の上を流れていきます。 [06 54 - 07 08] The second portion of the trapezius connects here around the bottom of the 7th cervical. 僧帽筋の二番目の部分は、 第七頸椎の周りのここにつながっています。 Together, the first and second portions create a diamond shape around it. 組み合わさり、 第一と第二の部分が第七頸椎の周りに ダイヤモンド型の形を作ります。 From there it connects along the top of the spine of the scapula. ここから、 僧帽筋は、肩甲棘にそって付着します。 [07 10 - 07 29] Finally the third portion starts a bit into the spine of the scapula and stretches downward to the spine. 最後に、 三番目の部分は、 肩甲棘に少し入り込んだ位置から始まり、 脊椎まで伸ばされます。 Since she’s pushing her left shoulder forward, the left side will be stretched. 彼女は左肩を前へ押し出しているので、 左側は延ばされます。 The right side will be compressed as it’s squeezed between the spine and the scapula. 右側は、 脊椎と肩甲骨の間で押しつぶされる形で 圧縮されていることでしょう。 [07 31 - 07 41] The muscle that will help you find the bottom corner of the scapula is the teres major. 肩甲骨の底の角を見つけるのに役立つ筋肉は、 大円筋です。 It attaches to the bottom area of the scapula and stretches toward the humerus. 大円筋は、肩甲骨の底の部分に付着し、 上腕骨に向かって伸びています。 [07 42 - 07 48] Now, it goes under the tricep of the arm, so make sure to get that overlap right. さて、 大円筋は、上腕三頭筋の下にもぐりこんでいきますので、 重なり合いを正しく理解しましょう。 [07 50 - 08 05] The two muscles above the teres major will go over the tricep. 大円筋の上の二つの筋肉は、三角筋に行きつきます。 The teres minor is a really thin one and often you won’t see it. 小円筋は、とても薄い筋肉で、あなたが見て分かる機会は少ないかもしれません。 The infraspinatus is much larger, covering most of the blade of the scapula. 棘下筋は幾分大きく、 肩甲骨の大部分を覆っています。 [08 07 - 08 30] Both of them go under the deltoid, which starts at the spine of the scapula and ends at the side of the humerus. それら両方は三角筋の下にもぐりこみます。 三角筋は、 肩甲棘から始まり、 上腕骨の側面で終わります。 And actually the deltoid has 3 heads - back, side and front. 実際には、三角筋は三つの頭を持っています。 後部、中部、前部です。 This one here is the back. ここに見えているのは後部です。 The one on the side starts at the acromion and the one in front starts at the clavicle. 中部は肩峰から始まり、 前部は鎖骨から始まります。 All 3 of them insert at the side of the humerus. 三つすべての部分は、上腕骨の側面で停止します。 [08 30 - 08 44] The layering here is quite complicated. ここに於ける筋肉の層の重なりは大変複雑です。 Let’s see if you can remember it. 覚えられるように見ておきましょう。 The deltoid is on top. 三角筋が一番上に来ます。 Then infraspinatus and teres minor. 棘下筋と小円筋です。 Then tricep. 上腕三頭筋です。 Then teres major. そして大円筋です。 [08 46 - 08 56] And finally the latissimus, which actually goes over the bottom portion of the teres major, but then twists under and to the front in the armpit. 最後に、広背筋ですが、 広背筋は、大円筋の底の部分あたりから存在していますが、 その後ねじられ、脇の前のほうへ向かいます。 [08 58 - 09 05] Now let’s strap the lat over to the other side. さて、反対側へ広背筋の帯を覆うように描きましょう。 And find the scapular muscles, starting with the teres major at the bottom. そして、肩甲骨の筋肉を見つけます。 底のほうにある大円筋から始めます。 [09 06 - 09 08] Deltoid over here. 三角筋はここです。 [09 10 - 09 12] Infraspinatus and a bit of teres minor. 棘下筋と少し見えている小円筋です。 [09 14 - 09 17] An extremely foreshortened arm over here. そして極端に短縮遠近されている腕がここです。 [09 19 - 09 36] The latissimus and trapezius are really stretched on this side, so we have this triangular part exposed. 広背筋と僧帽筋はこちら側では大変延ばされています。 ですので、この三角形の部分が露出しています。 Through it you’ll see a bit of the rhomboids. ここを通して、大菱形筋の一部が見えます。 They connect along the medial border and point up diagonally to the spine. 大菱形筋は、内側縁に沿って付着し、 脊椎に向かって対角線上に際立っています。 [09 38 - 09 40] Just for kicks I’ll add her head. 頭を描き加えます。 [09 41 - 11 00] And if you want you can draw the direction of the muscle fibers to make sure you understand the origin and insertion of each muscle. そして望むのであれば、 それぞれの筋肉の起始と停止の理解を確かめるために、 筋繊維の方向も描いてもよいでしょう。 If you re having trouble drawing this one, it would be a good one to do a tracing of. もし、筋繊維を描くのが難しいのなら、 トレースしてもよいでしょう。 Do a tracing just like how we did in the beginning of the course. このコースの初めで私が行ったようにトレースするのです。 Study the pose. ポーズを勉強しましょう。 Study the muscles. 筋肉を勉強しましょう。 Figure out what s going on. どうなっているのか実際に描いてみましょう。 Then do it again without tracing. そして再び、トレースなしで描いてみましょう。 After you do a bunch of these, you will find it pretty easy to find the landmarks of the scapula. これらたくさんのことを行った後には、 あなたは、肩甲骨の目印を見つけることが容易になっているでしょう。 The muscles give you a lot of clues. 筋肉は、あなたにたくさんの手がかりを与えてくれます。
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Gruesome Crawler 種族：Bloodthirsty パック：Reward レア度：Unique 攻撃：1 体力：2 待機：1 能力：EvadeWeaken All 1Immobilize Tartarus SwarmのHonor1,000と交換可能。Honor1,000＝5,333ダメージ相当。 Weaken All持ちでは最速の待機1を誇る小型アサルト。しかしその代償に体力はたったの2。 使うなら後ろの方に出して即効性であることを活かすとよい。 間違っても早いうちに出してはいけない。1/2/1という貧弱すぎる基礎ステータスでは敵アサルトの一体も倒せずに果ててしまうだろう。 Ver2.3のアップデートで強化される予定だったが、唯一強化が見送りになった。かわいそうに… 関連カード Tartarus Swarm報酬 - Acid Splash(100) / Plague Wyrm(500) / Gruesome Crawler(1000)
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TEHRAN [テヘラン] TEHRAN は ASIA に位置する人口約 10.00 millionの都市。 TEHRAN Airportは Class 3 の空港。 “THROUGHOUT IRAN S HISTORY, THE CAPITAL CITY HAS BEEN RELOCATED MANY TIMES, WITH TEHRAN BEING THE 32ND NATIONAL CAPITAL OF IRAN.” OPEN(coins) 51000coins 宣伝(coins) 61000coins レベル1 レベル2 レベル3 アップグレードコスト(coins) - 102000 153000 LAYOVERS 20 40 60 CLOSE時の払戻(coins) 25500 76500 153000 空港 一覧 AFRICA [アフリカ] AL FASHIR・ALGIERS・BAMAKO・BEIRA・BENGHAZI・CAIRO・CAPE TOWN・CASABLANCA・DAKAR・DJIBOUTI・DURBAN・HARARE・IN SALAH・JOHANNESBURG・JUBA・KADUNA・KAMPALA・KANANGA・KHARTOUM・KINSHASA・KISANGANI・LAGOS・LILONGWE・LIVINGSTONE・LOBITO・MAHAJANGA・MOGADISHU・MOMBASA・MONROVIA・NAIROBI・PORT ELIZABETH・PORT SUDAN・TIMBUKTU・TRIPOLI・WINDHOEK・ZANZIBAR ASIA [アジア] ADEN・AHMEDABAD・ANADYR・BAGHDAD・BANGALORE・BANGKOK・BEIJING・BUTWAL・CEBU・CHENGDU・DELHI・DHAKA・GUANGZHOU・HANOI・HARBIN・HONG KONG・HYDERABAD・ISTANBUL・JAKARTA・JERUSALEM・KABUL・KANDAHAR・KARACHI・KOLKATA・KUCHING・KUWAIT CITY・LHASA・MAGADAN・MANILA・MUMBAI・MUSCAT・NAGASAKI・NANPING・NORILSK・NOVOSIBIRSK・OSAKA・PADANG・PALU・PEVEK・PORT MORESBY・RANGOON・RIYADH・SAPPORO・SENDAI・SEOUL・SHANGHAI・SHENYANG・SINGAPORE・TAIPEI・TEHRAN・TIKSI・TOKYO・ULAN BATOR・URUMQI・VLADIVOSTOK・XI AN・XINING・YAKUTSK・YINCHUAN EUROPE [ヨーロッパ] AMSTERDAM・ATHENS・BARCELONA・BEIRUT・BELFAST・BELGRADE・BERGEN・BERLIN・BERN・BORDEAUX・BRUSSELS・BUCHAREST・COPENHAGEN・CORDOBA(SPAIN)・GLASGOW・HAMMERFEST・HELSINKI・KIEV・LISBON・LONDON・LULEA・LYON・MADRID・MANCHESTER・MINSK・MOSCOW・MUNICH・MURMANSK・NAPLES・OSLO・OULU・PARIS・PERM・PRAGUE・REYKJAVIK・RIGA・ROME・ST.PETERSBURG・STOCKHOLM・TBILISI・TRONDHEIM・VENICE・VIENNA・VOLGOGRAD・WARSAW NORTH AMERICA [北アメリカ] ANCHORAGE・ATLANTA・BARROW・BISMARCK・BOSTON・CALGARY・CANCUN・CHARLESTON・CHICAGO・CHIHUAHUA・CINCINNATI・DALLAS・DENVER・DETROIT・EDMONTON・FAIRBANKS・GOOSE BAY・GUATEMALA・HAVANA・HILO・HONOLULU・HOUSTON・INUVIK・IQALUIT・JUNEAU・KANSAS CITY・KETCHIKAN・LAS VEGAS・LOS ANGELES・MEXICO CITY・MIAMI・MINNEAPOLIS・MONTERREY・MONTREAL・NEW ORLEANS・NEW YORK・NOME・NUUK・OAXACA・ORLANDO・OTTAWA・PANAMA CITY・PHILADELPHIA・PHOENIX・PORTLAND・QUEBEC・SALT LAKE CITY・SAN DIEGO・SAN FRANCISCO・SAN JOSE・SANTO DOMINGO・SASKATOON・SEATTLE・SPOKANE・ST.LOUIS・THUNDER BAY・TORONTO・VANCOUVER・WASHINGTON DC・WHITEHORSE・WINNIPEG・YELLOWKNIFE SOUTH AMERICA [南アメリカ] ARAGUAINA・ASUNCION・BARILOCHE・BELEM・BOGOTA・BRASILIA・BUENOS AIRES・CAMPO GRANDE・CARACAS・CORDOBA(ARGENTINA)・CUIABA・CUZCO・EASTER ISLAND・FORTALEZA・GEORGETOWN・IQUITOS・LA PAZ・LIMA・MANAUS・PORTO VELHO・PUNTA ARENAS・QUITO・RECIFE・RIO DE JANEIRO・SALVADOR・SANTIAGO・SAO PAULO・TERESINA OCEANIA [オセアニア] ADELAIDE・ALICE SPRINGS・AUCKLAND・BRISBANE・BROKEN HILL・BROOME・CAIRNS・CHRISTCHURCH・DARWIN・GERALDTON・HOBART・KALGOORLIE・KATHERINE・MELBOURNE・MOUNT ISA・NEWMAN・PERTH・PORT HEDLAND・ROCKHAMPTON・SYDNEY・WELLINGTON
https://w.atwiki.jp/thunderstone/pages/86.html
Illusory Blade/イリュージョナリー・ブレード カードタイプ：Village/村 エキスパンション：Wrath of Elements/精霊獣の怒り 英語版 Card Name Number Class Cost Gold Weight Light VP Text ILLUSORY BLADE 8 SPELL 3 DUNGEON Draw any one Weapon card from the Village and equip it to a Hero meeting the Strength requirement. Destroy the Weapon after the battle. 日本語版 カード名 枚数 分類 コスト 金貨値 重量 明かり 勝利点 テキスト イリュージョナリー･ブレード 8 呪文 3 ダンジョン 村から武器カード1枚を引いて、体力の条件を満たす英雄に装備させる。戦闘後、その武器を廃棄する。 カード解説/CARD GLOSSARY 村に武器カードがないなら、この呪文は効果がありません。ある武器を装備できるだけの体力を持つ英雄が手札にないなら、その武器カードを廃棄するためだけに「イリュージョナリー・ブレード」を使うことはできません。 カード分析 所感 武器を一時的に村から召喚する呪文。Bladeと付いているが、鈍器だろうが弓だろうが問題なし。 Spear/スピアやFlask of oil/油壺に代表される使い捨て武器群を投げるのがわかりやすい活用法。 一緒に引いた英雄の体力に応じて、都合のいい武器を持ってくる（最低限Dagger/ダガーが保障されている)ことが可能なので、無駄になりにくい。局面に応じた選択を戦闘の直前に行えるのが魅力。さすがにダガー以外の武器が村にない。といった状況では活躍できないので、その際はプレイヤー同意の下、他のカードと交換するなりした方がよい。 武器は買い物時の資金源の基本となるため、金貨値のないこのカードを武器の代用とすると、村では苦労する。武器が売り切れる可能性もあるので、通常は1~2枚でよいだろう。 Regian Cove/レギアンの入江環境下では売り切れるケースが少なくなり、かなり安定する。スピアを投げまくる姿は圧巻。 金貨値が伸び悩む構成で、高コスト武器(Blessed Hammer/祝福のハンマーなど)を使う。Cursed Mace/呪いのメイス等のデメリットを最小限に抑える。その他にもさまざまなコンボが考えられる。カードプール増加ごとに可能性が増していくのでいろいろ考えるだけで楽しい。 村から武器を持ってくるのは draw/引く である。そのためInsight Blade/インサイト･ブレードのトリガになる。 Blessed Hammer/祝福のハンマー、Chalice Mace/チャリスのメイスを村から持ってきた状態で、サンダーストーンを露出/獲得すれば、武器の勝利点を最後の計算に加算することが可能。 シナジー Bluefire Staff/ブルーファイア･スタッフ Bluefire Staffを持ってくる⇒Illusory Bladeを再使用⇒Bluefire Staffを持ってくる⇒…のくり返しでWizard/Clericの数だけ、Bluefire Staffを持ってくることが可能。Bluefire Staffの攻撃力が1点しかないので大道芸どまりか。Veris/ヴェリスを起用していれば、あるいは･･･? Skullbreaker/スカルブレイカー 所謂、「借りパク」狙い。武器としての性能が微妙なのが難点か。 アンチシナジー Frost Giant Axe/フロスト･ジャイアント･アックス 特殊能力は未装備状態でないと使用できない。持ってきた時点で装備状態になるこのカードはその点で面白くない。もっとも、攻撃+4自体が強力ではあるのでそれのみを目当てにすることはありえる。 得意なモンスター 苦手なモンスター
https://w.atwiki.jp/elvis/pages/1510.html
Exploring Themes in Aesop's Fables and Picture Books Nancy Polette? Children's Aesop Stephanie Calmenson? Aesop Fables Woodcutter and Genie Aesop's Fables Aesop's Fables Aesop Fables Zip Earnest (Vcd AB) Aesop's Fables Aesop Fables Tim and Harry (Vcd AB) Die Grille, der Loewe und die Wahrheit. Die schoensten Fabeln und ihre ewig innigen Lehren AesopJuergen Luetge? Fables (Puffin Classics) AesopBrian Robb?S.A. Handford? Aesop's Four Footed Fables Aesop Velazquez, Aesop. Erzaehlungen zur spanischen Malerei. ( kunststueck). John Berger? Anno's Aesop (Picture Puffin) Mitsumasa Anno? Aesop's Fables (Picture Puffins) AesopHeidi Holder? More Aesop Fables Aesop Aesop's Fables Mulk Raj Anand? Schoene Fabeln des Altertums. Aesop, Phaedrus, Babrios Horst Gasse? Lion and the Mouse Aesop Aesop's Fables in Song Ralph Martell? Aesop's Fables Pb Caselli? Wie die Maus den Loewen rettete. Aesops Fabeln Ed Young?Aesop Stories from Aesop (World's Great Stories) Gwendoline Dun? Aesop's Fables Jacqueline Morley?Giovanni Caselli? Aesop's Fables, Book One Stories from Aesop (English Picture Readers) Town Mouse and the Country Mouse A Fable Bernadette Watts?Aesop The Lion and the Mouse AesopBert Kitchen? Miller, His Son and Their Donkey (A North-South Paperback) AesopEugen Sopko? Orchard Book of Aesop's Fables Signed Copies, The Michael Morpurgo? Animal Fables from Aesop Barbara McClintock? Aesop's Fables Michael Hague? Fabeln des Aesop. 142 Erzaehlungen AesopRuth Spriggs? Aesop's Fables, Book 2 Richard Thorne? Aesop's Fables Aesop Aesop's Fables As Told by Michael Mish Michael Mish? Aesop's Fables Las Fabulas De Esopo Georgette Baker?Aesop Aesop's Fables (Heinle Reading Library) AESOP Walking on Solid Ground (Aesop Accolades (Awards)) Shuyuan Li?Aaron Chau?Deborah Wei?Shu Pui Cheung?Debora Kodish?Ming Chau? Unusual Aesop's Fables Witty Tales of Ancient Wisdom Elizabeth Gibson? Sip of Aesop Jane Yolen? Aesop's Fables Die Katze laesst das Mausen nicht und andere Fabeln des Aesop AesopDimiter Inkiow? Aesop's Fables Jake Eberle?Paul Rabjohns?Melanie Stimmell? Der Storch und der Fuchs. Zwanzig Fabeln AesopSvend Otto S.?Soren. Christensen? Federn nichts als Federn Mischa Damjan?Susi Bohdal?Aesop Little by Little (Road to Reading) Linda Hayward?AesopPeter Grosshauser? Ten Pack Aesop's Fables Nine Favorite Fables for Bedtime (Child's Storytime Treasury) Aesop's Fables (Classic Children's Stories) Patrick Wilde?Keith Barron? Aesop's Fables (Classic Children's Stories) Patrick Wilde?Keith Barron? The Legendary Life And Fables of Aesop Mayvis Anthony?Mary Anne Miller?Grace Muscarella? The Life and Fables of Aesop AesopSimon Stern?Sir R. L Estrange? Der Fuchs und der Rabe. Frei erzaehlt nach Aesop Ruth Huerlimann? Boy Who Cried Wolf Tony Ross?Aesop Aesop's Fables (Children's Classics) AesopHarry Rountree? Dial a Story (Piccolo Books) Aesop's Fables A Selection Aesop Fables Aesop The Lion and the Mouse A Fable by Aesop Gerald Rose?Aesop Fables AesopEdward J. Detmold? The Hare and the Frogs William Stobbs?Aesop Osborne Baby'S Own Aesop Aesop's Fables The Hidden Picture Book of Aesop's Fables Christine San Jose?AesopCharles Jordan? The Grasshopper and the Ants An Aesop Fable (Stories from Around the World) Eve Tharlet?AesopPaula Franklin? Aesop's Fables Robert Mathias? The Wind and the Sun Tomie dePaola?Aesop Der Mueller, sein Sohn und ihr Esel Eugen Sopko?Aesop Aesop's Fables The Sick Kite, the Country Mouse the City Mouse, the Horse and the Stag, the Oak and the Reed Ernie Hudson?Tia Carrere?Glenda Jackson?Sharton Stone?Alfre Woodard?Efrem, Jr. Zimbalist? Aesop's Fables Stephanie Beacham?Eddit Albert?Harvey Fierstein?Elliott Gould?Joel Grey?Gregory Hines?Ernie Hudson?Glenda Jackson?Cheryl Ladd?Kevin McCarthy? The Lion and the Mouse An Aesop Fable Aesop Aesop's Fables Fables from Aesop James Reeves?Maurice Charles John Wilson? Tales from Aesop (The Random House Children's Book Cassette Library) J. P. Miller? Fables AesopSafaya Salter? Hare and Tortoise Aesop Aesop's Fables Aesop Die klugen Tiere. Ein Fabelbuch ab 3. Schuljahr. Aesop The Ant and the Grasshopper (Honey Bear Favorite Aesop's Fables) The Hare and the Tortoise Aesop Eric Carle's Treasury of Classic Stories for Children AesopHans Christian Anderson?Brothers Grimm?Eric Carle Fables AesopCaxton? American Aesop Negro and Other Humor William Pickens? Fabeln. Eine Auswahl aus dem Griechischen AesopJakovos Papadopoulos? Falbels of Aesop Simon Franklyn? Aesopica Series of Texts Relating to Aesop or Ascribed to Closely Connected With the Literary Tradition That Bears His Name (Folklore of the World (New York).) Richard Mercer Dorson?Ben Edwin Perry? Fables AesopCaxton? Aesop's Fables (Miniature Classic Illustrated Editions) Hans Christian Andersen The Hare and the Tortoise AesopGerald Rose?G. Rose? The Lion and the Mouse AesopGerald Rose?G. Rose? The Raven and the Fox AesopGerald Rose?G. Rose? Wolf! Wolf! AesopGerald Rose?G. Rose? Fables Aesop Aesop and Us Marina Mutti?Anna Abbona?Gabriele Maschietti? The Hare and the Tortoise (Luzac Storytellers) Gabriel Douloubakas?AesopMikel Horl? Hare and the Tortoise Aesop Von schlauen Fuechsen und fremden Federn. Ein vergnuegliches Tiertheater nach Aesops klassischen Fabeln AesopBarbara McClintock? The Hare and the Tortoise AesopArthur Friedman? Once in a Wood Ten Tales from Aesop Eve Rice? Fabeln. Mit beweglichen Bildern AesopMaria Wildstake?Claire Littlejohn? Lion and Mouse Aesop Aesop The Complete Fables Fables (Classic Fables Legends) AesopDavid Frankland? Fun for Every Child Aesop's Fables The Lamb Who Could Featuring Aesop's the Tortoise and the Hare (Lamb Chop's Fables) Shari Lewis?Aesop Aesop's Fables Kathryn T. Hegeman? Aesop's Fables My Book About Reading Writing Thinking Kathryn T. Hegeman? Fables AesopBernadette retold by Patricia Crampton? How Advertising Is Written - and Why Aesop Glim? Aesop's Fables S. A. Handsford? Copy - the Core of Advertising Aesop Glim? Fun With Aesop Reader Paul Tell? Aesop's Funky Fables (Viking Kestrel Picture Books) Vivian French?AesopKorky Paul? Aesop's Fables Aesop / Winter? The Ant and the Dove An Aesop Tale Retold (Start-Off Stories) Mary Lewis Wang?Lewis Wang?AesopChing? The Lion and the Mouse An Aesop Tale Retold (Start-Off Stories) Mary Lewis Wang?Robert L. Hillerich?Tom Dunnington? Der Hase und die Schildkroete und andere Fabeln AesopJ. P. Miller? Nuernberger Prosa Aesop Klaus Grubmueller?
https://w.atwiki.jp/vocaloidenglishlyric/pages/398.html
【Tags Jitabata-P Miku R tL tT Rin】 Original Music title ラストバトル English music title The Last Battle Romaji music title Rasuto Batoru Music Lyrics written, Voice edited by じたばたP(Jitabata-P) Music arranged by じたばたP(Jitabata-P) Singer(s) 鏡音リン (Kagamine Rin), 初音ミク (Hatsune Miku) Click here for the original Japanese Lyrics English Lyrics (translated by vgboy / vgperson)： At the end of the journey, at last, with all the strength I d gained, I went forth believing in myself, my heart unwavering and strong I erased the past I d hoped to forget, and in running, I moved ahead I was afraid of losing; I couldn t win against reality Reality scares me - everyone s eyes, their eyes, Watching me, watching, watching, watching, watching, I want to die, I want to die, I want to die, I want to die, There s no value at all to my life, none... Ugly inferiority, dirty jealousy, they... Stab, stab, stab into me... It s the last battle, and there s nowhere to run; I m cornered, and my body trembles I cried out, like a child; I cried, cried, begging for help And no one came, they pretended not to hear, And I was so very, very hurt I was done in by self-loathing; I had my ears plugged all the while... I was always all alone; I would never look into people s eyes Secluded in my shell, I had no allies at all I wanted to change myself, but I trembled, too afraid to I couldn t make a single step forth; my tears tumbled down... I wanted someone to laugh with, I wanted someone to play with Deep in the darkness, all along I hoped to be saved So then you came along, and told me "Could you try a smile?" And hypocrite that I was, I stabbed at you, annoyed... It s the last battle, but I didn t understand; I was cheered on, but I heard lies In my heart, twisted as it was, Truly, I hoped we could ve talked more I m so sorry, I m so sorry; I could apologize forever, but it s far too late So that I wouldn t fall to self-loathing, I sang out lalula lulalila... I ve had enough, I can t take it I vowed, I would live alone Through sorrow, through tears, I wouldn t need any rescuing Suddenly I felt a weight had been lifted; My worries vanished into thin air There was no longer a wall before me; All alone, I was at my last stage... There wasn t a single happy day; Painful ones continued on There were so many enemies around me, And not a place to run I looked back to see a giant me, And it was laughing, looking into my eyes I knew this was my ultimate enemy; And terrified, I promptly ran away I can t beat myself, I can t beat myself Mere dependence won t work, won t, won t, won t Never never never never, can t, can t No power to defeat it, none, none... My ugly heart, my despicable way of life, they... My rotten nature, dirty jealousy, they... Stab, stab, stab into me... (Okay! 1-2-3! Let s go!) It s the last battle, and there s nowhere to run; I m cornered, and my body trembles I cried out, like a child; I cried, cried, begging for help And no one came, they pretended not to hear, And I was so very, very hurt I was done in by self-loathing; I had my ears plugged all the while... Romaji lyrics (transliterated by vgboy / vgperson)： Bouken no owari saigo kitaete sodateta chikara Jibun o shinjite susumu yuru ga nai tsuyoi kokoro Wasuretai kago o keshite nigenagara susunde kita Makeru koto ga kowakatta genjitsu ni katenakatta Genjitsu ga kowai minna no me ga me ga Boku no koto o miru miru miru miru miru Shinitai shinitai shinitai shinitai Douse ikiru kachi nai nai Minikui rettoukan ga kitanai shitto ga boku ni Boku ni boku ni boku ni tsukisasarunda Rasuto batoru nigeba wa nai Oitsumerare karada ga furue Nakisakenda kodomo no you ni Sakebi sakebi tasuke o yonda Daremo konai kikanai furi Boku wa totemo kuyashiku natta Jikokeno ni tsubusaresou Boku wa zutto mimi o fusaida Boku wa itsumo hitori-kiri hito no me o mirenakatta Jibun no kara ni komotte nakama nante inakatta Jibun o kaetai keredo kowakute teashi ga furue Ippo ga fumidasenakute namida ga koron to ochita Dareka to waraitakatta dareka to asobitakatta Kurayami no naka de zutto tasuke o hoshigatteita Sonna toki kimi wa boku ni "Waratte mitara?" to itta Gizensha butta soburi ni mukatsuite kimi o tsukitobashita Rasuto batoru wakaranakatta Hagemashidatte uso ni kikoeta Nejimagatta kokoro no naka Hontou wa motto hanashitakatta Gomennasai gomennasai Ayamatte mo mou osokatta Jikokeno ni makenai you ni Boku wa utatta rarurarurarira Mou iya da yo iya nanda yo Boku wa chikatta hitori de ikiru Kanashikute mo nakitakute mo Boku ni tasuke nante iranai Kimochi ga kyuu ni karuku natta Nayami-goto ga pachin to kieta Mou me no mae ni kabe wa nakatta Hitori-bocchi no rasuto suteeji Tanoshikatta hibi nante nakatta Kurushii mainichi ga tsudzuiteita Mawari ni wa teki ga takusan ita Nigemichi nante doko ni mo nakatta Ushiro o mitara ooki na boku ga Warainagara boku no me o miteita Kore ga saigo no teki dato shitte Boku wa kowakute sugu ni nigedashita Jibun ni katenai jibun ni katenai Aete bakara de dame dame dame dame Muri muri muri muri dekanai dekinai Taosu chikara nado nai nai Minukui boku no kokoro ga zurui ikikata ga boku ni Kusatta boku no konjou kitanai shitto ga boku ni Boku ni boku ni boku ni tsukisasarunda (Hai! 1-2-3! Retsu goo!) Rasuto batoru nigeba wa nai Oitsumerare karada ga furue Nakisakenda kodomo no you ni Sakebi sakebi tasuke o yonda Daremo konai kikanai furi Boku wa totemo kuyashiku natta Jikokeno ni tsubusaresou Boku wa zutto mimi o fusaida [Jitabata-P, JitabataP]
https://w.atwiki.jp/gtavi_gta6/pages/907.html
Bite! 概要 解説 店舗、外見など 看板 概要 日本語：バイト 業種：飲食業（ファストフードチェーン） 所在地：各地 解説 GTAIVにも登場したファストフードチェーン。 Wrap （サンドイッチ）とサラダが主力商品。 店の雰囲気が「サブウェイ」に似ている。 ロゴにはその名のとおり歯型がついている。 キャッチコピーは「It's big」。 "Bite"はフランス語のスラングでチ○ポを意味する。 店舗、外見など Pillbox Hill射撃練習場1から少し北西。Post Opの西隣り。Go Postalの南向かい。 Mission RowMission Row Police Departmentの西向かい。Rusty Brown’s Ring Donutsと同じビル。 モデルはPacific Electric Lofts 。 北隣りのE.C. PC's／Payback Time LoansのモデルはLucky Snack／Easy Going Wholesale 。 Echorock Shopping Plaza（Alta）Dollar Pillsと24/7の間。 Vinewood Plaza（Hawick）アミュネーション2の所。Pizza Thisの東隣り。Department of Water Powerの南隣り。 モデルはSunset Plaza 。 Mirror Park Rockford Plaza, BurtonBurton駅の出入口がある所。ViendemorteとWhite Widowの間。 Rockford Hillsアミュネーション6から少し東。Bettaの向かい。Java Update CoffeeshopとLimey sの間。 Morningwood Del Perro PlazaモデルはSanta Monica Plaza 。 看板
https://w.atwiki.jp/tube/pages/38.html
ここを押してenglish 450Kに設定してからConsoleで実行（450k未満のやつ選択するとよく使うやつだけ集めれるよ） var set = window.setInterval(worlddd,290) let listAA = [] let a = 0 function worlddd(){ console.log(a) document.querySelector("#restartTestButton i").click(); for(let i = 0 ;i document.getElementsByClassName("word").length; i++){ if( document.getElementsByClassName("word")[i].innerText.length 3 document.getElementsByClassName("word")[i].innerText.length 7){ listAA.push(document.getElementsByClassName("word")[i].innerText+"\n") a++ }; } } ここから下ダウンロードしたいタイミングで実行 let setToArr = Array.from(new Set(listAA)); window.clearInterval(set) let naka = new Blob(setToArr, { type "text/plan" }); let dd = document.createElement('a'); dd.href = URL.createObjectURL(naka); dd.download = 'world.txt'; dd.click(); klip ammans isoln dosain voidly killy cheepy regrip pechay attice redo onymal spazz raphia kaims thurse grunt hyte lead sessa awheto chidra koala tilde kart carnic loons arcked diazos lusus sahara artsy thuja enigua penie refix vagus 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https://w.atwiki.jp/kratomorg/pages/10.html
Founded in 2014, kratom.org is a nonprofit organization aimed at protecting consumers. Its mission is to protect the rights of kratom users in the United States, and it also works to improve the quality of kratom. kratom.org is a group of kratom enthusiasts who have come together to support consumer freedom of choice and access to safe, effective and legal medicine. They believe in the power of education to change manufacturers and regulators' attitudes toward kratom. This helps to ensure that kratom is treated as a safe medicinal herb. kratom.org is a non-profit, and it relies on donations to carry out its mission. It provides a comprehensive website with information about kratom. It also has an email newsletter that is sent to people interested in kratom. kratom.org also publishes a list of kratom vendors who are GMP Qualified, which means that the manufacturer has been audited and meets certain manufacturing standards. kratom.org is run by a board of directors, and they are responsible for the day-to-day operations of the organization. It is led by Peter Candland, executive director of kratom.org. He oversees the contractors and ensures that the organization is in compliance with the IRS. He also leads the organization's lobbying and research efforts. He has a Master of Public Administration graduate degree from Brigham Young University. kratom.org is committed to ensuring that its donors' money goes to good use. kratom.org has a public relations firm, an expert lobbying team and a professional legal firm. kratom.org keeps updated on the latest data about kratom. It also provides scientific data that supports its claims. It also regularly works with other organizations and scientists. It has a code of conduct to ensure that its members and other professionals are professional and abide by the rules of the organization. kratom.org is also an advocate for kratom legalization in the U.S., and it has a program that educates suppliers and government agencies. It also works with academia and policy thought leaders. Its goal is to make sure that kratom is marketed properly, and it has a truth in labeling program. Its products are tested by third-party observers, and its end products are tested by an independent auditor. kratom.org also has a petition system that allows consumers to contact their congresspersons. The petitions are related to the misinformation campaign against kratom, and they have received a positive response from the public. The organization is currently seeking captains for each congressional district. These individuals will help to organize events and promote meetings. They are also required to agree to kratom.org's code of conduct, which will ensure that the image of kratom is positive. kratom.org has a comprehensive website with many features. It contains information about the organization, its goals and the ways to donate. It also includes a pre-written letter and a contact form. It has a section of scientific data, and additional links to studies about pharmacology. Website https //kratom.org/